![]() ![]() In this case I am not using Ableton SYNC clock to my external devices since it's not needed. This works fine even if I add an absurd amount of plugins which introduce latency. All of my notes are coming from Live itself. Bear in mind that in this scenario I am not using the TR8S (or MPC or whatever) internal sequencer for sequencing. In Scenario 1 everything is perfectly synced. I use UAD and other plugins which introduce latency. Like sending midi out from my Ableton clips into my hardware synths, grooveboxes etx. I use Ableton to send midi out for everything. I never reported this here because all these years I was frustrated thinking that I am doing or expecting something wrong. But before I continue with it, allow me some explanation. ![]() Example TR8S, MPC, and so on (many synths and grooveboxes has their own patterns/sequencers etc.). For a time when the user is sending a clock to an external groovebox, or synths which has it's own sequencers and patterns. This thread is NOT about Live VST effects Plugin Delay Compensation. If it’s “beta testing for new bonus features” i don’t see nothing wrong with that, its actually exciting, surprising and a good sign for a company that support and stand behind their products.Guys please help me figure this one out. if you buy something based on feature not yet exist its on you. its a juvenile behaviour but than again most of people complaint here can be explained by “juvenile behaviour” □ some brands just know they need to treat costumers like delicate spoiled kids and it works fine for them, but than again kids will complain even if the parents could do a “perfect job”. Maybe some of the problem is in the adverting that promised thing that are not yet ready but i think the issue is mostly with the buyers who must buy the newest they can’t wait to fulfil their satisfaction and then complain they need to wait to something “promised” to them. So the transition audio -> clock definitely does not add any jitter or latency (other than the electrical signals characteristics like slopes and voltage level detection… But that’s starting to be way too technical □ ). The Midronome basically takes that signal and transforms it instantly into the MIDI Clock it outputs, also without any software involved. I remember hearing about it from the testers who often had drifting issues and similar before the Midronome, issues which all disappeared simply by changing the master clock.Īnd as for the “sample accurate” wording, that comes from the fact that the audio sync signal sent by the DAW is as precise as the sample clock (worldclock), and the MIDI Clock as precise as this audio sync signal. ![]() And yes youøre right the receiving devices have their own jitter/latency, but this is out of the Midronome’s control □ It just sends the best jitter-free clock it can, what the devices do with that is hard to tell since it will be different from one device to another.īut in practice it does help overall (makes sense – the receiving devices probably prefer a steady clock generally). Well I basically just measure the actual MIDI output directly, with a signal analyzer. Note that crowdfunded projects can involve risk, which is documented as part of the project. Midronome production is being funded via a Kickstarter project and is available to project backers for about $145 USD. All settings are saved automatically, and the current tempo is saved every 10 seconds.Green for the first beat in the bar, red for others. If you need to know where the beat is, the Midronome will show it to you with an LED next to its display.Keep your band in tempo with the metronome click, and if you don’t like the classic beep sound, you can choose from the selection of 60 different clicks sounds.1000 times more accurate than most synth-based clocks.50,000 times more accurate than a computer-based clock.Keep all of your MIDI devices in sync, with the power of “the most precise MIDI clock on the market”.“The big one is the future-proofness of the device,” says Midronome founder Simon Lasnier, “with an upgradable firmware and an open module interface, which in my opinion is an amazing addition to the device.” Tons of future features coming post-shipping (clock shifting, tempo presets, nudging, etc.).Here’s what’s new since the original Kickstarter project: Since then, the developer has continued to develop the device and add features. The first Midronome Kickstarter, launched earlier this year, failed to meet its funding goal. It also has two CV/Analog outputs for modular gear, which can be used as a DIN (sync24) clock output for vintage gear. Midronome is designed to make it easy to set and sync tempo across MIDI gear, including synths, sequencers, drum machines, digital audio workstations and effects pedals. The Midronome, a new MIDI Master Clock, is now available via a Kickstarter project, which has blown past its funding goal with 28 days left to go. ![]()
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